JASON
VOORHEES

A tight medium shot captures a middle-aged white man seen from a slightly low, eye-level angle in a dimly lit industrial setting. His most striking feature is the extensive and shocking prosthetic makeup covering his entire body; his skin is mottled and grotesque, with a glossy, severely deformed texture and reddish-brown tones simulating extreme burns, blisters, and cellular deformity. His hair is shoulder-length, brown, and messy, accentuating the disheveled appearance. His face is contorted in a grimace, and his prominent cheekbones and sunken eyes give him an intense, tortured yet expressive appearance despite the extreme transformation. The background is a dark, out-of-focus, industrial interior with beams, pipes, and indistinct lights that create bokeh highlights, with cold blue and warm ochre tones that contrast the sickly pink and purple hues of his skin. The lighting is mixed, with a harsh, focused key light from the top left creating specular highlights on the shiny, rubbery makeup and deep shadows accentuating the contours of his deformities, while diffuse blue ambient light fills the shadows. The composition is centered, and the subject is cropped at the bicep. The image has a grainy, distinctly filmic look indicative of late 1980s analog cinema production, with medium grain and limited color saturation. The overall mood is nightmarish, visceral, and grotesque.
HEX VALUES: ["#151916", "#070909", "#152e3c", "#2a231b", "#845e53", "#6b473a", "#4b3022", "#3d3a36", "#9c7268", "#304656", "#b18b84", "#565450", "#647381"]

Edit @image1. Replace only the central person with the masked adult man from @image2.

Use @image2 for his exact hockey mask, its shape, ventilation holes, red markings, straps, body build and clothing: a tattered brown jacket, charcoal shirt and dark gloves. Completely replace the original face, hair and bare torso.

Preserve the pose, head tilt, shoulder positions, lowered arms, camera angle and framing from @image1.

Match @image1’s lighting, shadows, color balance, lens softness and film grain. Keep its entire industrial background unchanged.

Do not transfer the weapon, rain, forest, lighting or pose from @image2. His hands remain empty. Add nothing else.

Reference mapping:
@image1 = starting frame, character appearance, mask, clothing, industrial interior and existing lighting.

FORMAT: 6s / 1 SHOT / The background ceiling lamp at frame right visibly flickers while a handheld camera slowly zooms toward the nearly motionless masked man / horizontal 4:3.

SUBJECT: The masked adult man from @image1. Preserve his proportions, stance, mask shape, ventilation holes, red markings and visible eye position.

SECONDARY SUBJECT: None.

WARDROBE MAIN SUBJECT: Preserve the exact tattered brown jacket, charcoal shirt, gloves and mask straps from @image1.
WARDROBE SECONDARY SUBJECT: Not applicable.

HERO PROPS: The existing ceiling lamp behind the man at frame right. This specific lamp repeatedly loses power and visibly switches off and back on. Preserve its shape, mounting and position.

ENVIRONMENT: Preserve the industrial interior, beams, background depth and structural geometry. Sparse fine dust drifts through the room.

MOOD: Sustained quiet horror, with restrained character movement and conspicuous electrical instability in the background lamp.

MUSIC: No music or dialogue. Quiet room tone, faint breathing, subtle fabric movement and an intermittent electrical buzz from the faulty lamp.

COLOR LOGIC: Preserve the original muted browns, ivory mask and cool background tones. Only the right background lamp and the illumination it produces fluctuate. The existing frontal fill and cool ambient edge light remain steady.

STYLE: Realistic live-action footage with the source photograph’s soft digicam texture, subdued detail and quiet shadows. Normal real-time movement. No added sharpening, HDR or glossy rendering.

LOGIC RULE: Exactly one man. He remains planted in the same place. His mask stays rigid and secured to his head. The lamp’s electrical flicker is the main environmental action and must be visibly readable. The operator remains in the original location; magnification changes through lens zoom. The filming device never appears.

NEGATIVE PROMPT: No continuously illuminated background lamp, global exposure pulsing, whole-frame flashing, added lights, walking, lunging, mask deformation, glowing eyes, camera orbit, cuts or dense floating particles.
SHOT 1 — 0:00 to 0:06, MS gradually tightening to CU, 35mm equivalent starting lens, slow optical zoom with continuous irregular handheld shake.
Begin from the exact composition of @image1. Establish the faulty lamp immediately: within the first second, the luminous surface of the existing lamp at frame right visibly goes dark, stays dark for roughly a third of a second, then lights up again. Its surrounding glow collapses during the interruption and returns when power recovers. The fixture itself remains in place.

During the next two seconds, the same lamp suffers another uneven burst of two clearly separated power interruptions. Vary their duration between roughly a quarter and half a second, with unequal illuminated pauses between them. Show distinct illuminated and unilluminated states, rather than a barely perceptible brightness shimmer. Nearby surfaces receiving this lamp’s warm light dim and recover in sync. The independent frontal fill and cool ambient illumination remain constant, keeping the man visible.

Keep the lamp within the right side of the composition during the first three seconds through small natural framing corrections. Continue the slow zoom throughout the shot, reaching approximately 1.8x magnification by the end, with the complete mask, head and upper shoulders visible. If the lamp leaves the frame later, its fluctuating light continues affecting the room.

The man stands with his arms lowered. Animate quiet breathing through small chest expansions, restrained shoulder movement and shifting jacket folds. Add a minute natural settling of his neck and weight without taking a step or making a deliberate gesture. His gaze stays toward the camera. The mask never flexes with breathing.

Maintain noticeable, irregular handheld shake throughout: small uneven horizontal and vertical jolts, slight roll and imperfect recentering. Preserve coherent scene geometry and natural momentary motion blur. Focus follows the mask while retaining the original softness.

A few tiny dust motes drift independently at different depths. Particles within the faulty lamp’s illumination briefly catch its light, disappear into shadow when it switches off, then become visible again. Keep the dust sparse and subtle.

Continue breathing, handheld movement and the slow zoom naturally through the final frame.

A wide, voyeuristic shot captures two adult Caucasian men, appearing to be in their late 40s, digging in a forest clearing at night. Both subjects wear rugged, loose-fitting clothing—one in a light-colored shirt and suspenders, and the other in a bluish-gray shirt and dark pants, their postures tense as they handle shovels. Their faces are only faintly visible, with the lighting obscuring finer features. The background fades into dense trees and a wooden fence dotted with crosses, reinforcing the atmosphere of grave-digging in a secluded cemetery. Framing is achieved through out-of-focus dark foliage encroaching from the top and sides, creating a sense of being surveilled. Illumination is dominated by a blue-tinted, diffused backlight that lends an eerie quality, with light reflecting off damp ground and casting long, diffuse shadows. The image features a limited color palette of cool blues, blacks, and muted earth tones. Captured with a deep focus and a high f-stop, the image resembles grainy 1980s film stock, likely with a wide-angle lens, establishing a cinematic, ominous, and suspenseful mood.
HEX VALUES: ["#010203", "#191d30", "#000101", "#131725", "#030309", "#1f2336", "#0d0f1a", "#080910", "#1c223d", "#252b42", "#252e4e", "#2f3b60"]

Generate ONE new horizontal 4:3 photograph of a masked man filling a grave in a dark woodland cemetery.

REFERENCE ROLES:
@image1 defines the woodland cemetery, iron fence with cross-shaped finials, uneven ground, excavated earth, dim blue nighttime lighting, haze and photographic texture. Use it as an environment and atmosphere reference only. The people in this reference do not define the subjects of the new photograph.
@image2 defines the identity and clothing of ONE man: the aged ivory hockey mask with round ventilation holes, faded red markings and black straps, very pale weathered skin, broad adult proportions, ragged brown jacket, dark shirt, gloves, trousers and boots. Its two panels depict the same person. Do not transfer its gray backdrop, portrait lighting or sharpness.

CAMERA AND COMPOSITION:
A wide rear three-quarter view, secretly photographed from behind the edge of a large old gravestone close to the lens. The gravestone occupies approximately the right third of the image as a dark, softly resolved foreground obstruction. Overhanging leaves partially screen the upper edge.

Several meters beyond this cover, the man stands slightly left of center beside a fresh grave. Include his whole working stance at a believable human scale. His back and one shoulder face the photographer. His head is angled down toward his work, showing only part of the mask in side view. He is unaware of the observer.

ACTION:
He is filling the grave with earth from the adjacent excavated pile. Both gloved hands grip separate positions on ONE long wooden shovel handle. Capture the moment when he tips a loaded blade above the grave and damp earth falls from it into the opening.

The shovel extends to the side of his body so the action remains readable from behind. His knees are slightly bent and his weight is carried naturally through his legs. The shovel, hands and falling soil have believable proportions, weight and gravity. The blade is above the grave rather than embedded in the ground. Keep the grave’s contents concealed.

LIGHT AND PHOTOGRAPHIC RENDERING:
Match @image1’s subdued blue-gray exposure, deep blue-black shadows and soft atmospheric depth. Dim diffuse blue light catches selected parts of the man and the nearby earth. Much of his coat merges into darkness. The mask appears muted gray-blue, with its markings barely discernible.

The figure must share the environment’s optical softness, grain, shadow density and restrained local contrast. Resolve broad clothing folds rather than individual fibers. Keep the foreground gravestone darker and less veiled than the more distant man. Existing haze subtly softens the figure and fence.

An imperfect low-light photograph from an old consumer digital camera: slightly missed focus, soft detail, restrained natural luminance grain, mild JPEG softness and a little movement smearing on the working hands, shovel edge and falling earth. Preserve quiet dark areas without coarse blue color speckles.

Exactly one man, one shovel and one photographic frame. No extra workers, exposed body, visible coffin, blood, text or collage. No frontal flash, studio fill, bright continuous rim light, HDR shadow recovery, digital sharpening, glossy surfaces, exaggerated material texture or 3D-render appearance.

Reference mapping:
@image1 = starting frame, character, wardrobe, shovel, grave, cemetery and foreground gravestone.

FORMAT: 6s / 1 SHOT / Strongly shaking handheld footage secretly filmed from behind a gravestone, showing a masked man filling a grave during heavy rain and continuous wind, with exactly three isolated ambient light pulses / horizontal 4:3.

SUBJECT: The masked adult man from @image1, absorbed in filling the grave and unaware of the observer.

SECONDARY SUBJECT: None.

WARDROBE MAIN SUBJECT: Preserve the exact mask, straps, ragged brown jacket, dark clothing, gloves and boots. Rain-soaked fabric hangs heavily.
WARDROBE SECONDARY SUBJECT: Not applicable.

HERO PROPS: One wooden-handled shovel, the grave, loose excavated earth beside it and the foreground gravestone at frame right.

ENVIRONMENT: Preserve the nighttime woodland cemetery, fence, trees and existing blue haze. Heavy rain and strong continuous wind affect the entire location. All sources of temporary illumination remain far behind the camera, outside the visible scene.

MOOD: Secret observation during a violent storm. The man remains occupied with his work throughout.

MUSIC: No music or dialogue. Heavy rainfall, wind through branches, wet shovel scraping, dull soil impacts and occasional distant low atmospheric rumbles.

COLOR LOGIC: Preserve the muted blue-black nighttime palette. Exactly three short, separate pulses of cold, cloud-filtered ambient light briefly illuminate existing surfaces. Between these three events, maintain constant dark blue ambient illumination without additional flickering or exposure fluctuations.

STYLE: Realistic imperfect handheld recording. Preserve the source image’s softness, grain, deep shadows and restrained detail. Natural motion blur during camera jolts. No HDR, artificial clarity or sharpening.

LOGIC RULE: The operator remains crouched within the same hiding place while the handheld camera moves continuously with his hands and upper body. Exactly one man and one shovel. Earth moves from the adjacent pile into the grave. The mask remains rigid. The grave’s contents stay concealed. There are exactly three illumination pulses in the entire clip, each occurring once without secondary pulses. Temporary illumination changes the brightness of existing surfaces only; it never introduces a visible luminous object or shape. The filming device never appears.

NEGATIVE PROMPT: No additional illumination pulses, double pulses, rapid flickering, strobing or automatic exposure pumping. No visible light source, glowing lines, branching shapes, luminous streaks, beams, sparks, sky effects or white-screen overlays. No tripod-like framing, gimbal stabilization, smooth floating camera, barely perceptible shake, regular oscillation, image warping, zoom, tracking, orbit, cuts or character acknowledging the observer.
SHOT 1 — 0:00 to 0:06, WS, approximately 50mm equivalent, pronounced irregular handheld jolts with imperfect framing corrections.
Begin from @image1 and establish unmistakable camera shake immediately. Throughout all six seconds, the operator’s hands produce irregular vertical and sideways jolts, abrupt small changes in viewing direction and occasional several-degree rolls. Larger jolts briefly displace the composition by roughly five to eight percent of the frame, followed by imperfect manual corrections. Vary their size, direction and spacing. Maintain an underlying handheld tremor between the larger disturbances.

The man, grave, fence and trees shift coherently within the frame with every camera movement. The nearby gravestone at frame right shifts more strongly against the distant clearing as the crouched operator sways and adjusts his grip. Its edge occasionally intrudes farther into the view, then recedes during a framing correction. Keep the working action readable. Include brief natural motion blur during stronger jolts. The operator remains behind cover without advancing, circling or zooming.

During the first second, the man finishes emptying the shovel already shown in @image1. The remaining damp clumps fall into the grave, leaving the blade empty.

Over the next two seconds, he draws the shovel back and pushes its blade beneath loose earth in the pile beside the grave. He bends his knees and shifts his weight into the effort. Both hands maintain believable contact with the handle.

During the following two seconds, he lifts the loaded blade to knee-to-waist height, pivots slightly toward the grave and tips the earth into it. Damp soil falls in uneven heavy clumps. His shoulders, elbows, knees and jacket folds respond naturally to the load.

During the final second, he withdraws the empty shovel and begins another scoop. Continue working through the final frame. He keeps looking down and never turns toward the observer.

Heavy rain falls continuously from the first moving frame, driven diagonally from left to right. Show rain at different depths, splashing against foliage, soil, clothing and the foreground stone. Water runs from the mask and soaked sleeves. Keep the shovel readable through the downpour.

Strong wind never stops. Foreground leaves flutter and bend, overhead branches sway, and distant foliage moves independently. Loose jacket edges pull sideways while the soaked fabric stays weighted against his body. Existing haze drifts laterally through the clearing. Environmental movement remains independent of camera shake.

Use exactly three isolated illumination events across the entire shot: one near the first second, one near the third second and one near the fifth second. Each event is a single brief pulse lasting roughly a fifth of a second, followed immediately by the original dark blue exposure. Each pulse rises and falls once, without a double flash, trailing flicker or repeated after-pulses.

All three pulses arrive from far behind and above the camera, filtered through clouds outside the field of view. Only existing rain, leaves, clothing, soil and stone briefly become brighter. Wet surfaces catch short soft reflections, while occluded areas retain their shadows. The source itself remains completely unseen.

Keep the ambient illumination steady throughout the intervals between these three events and after the final pulse. Render the events exclusively as natural illumination changes on existing surfaces. The visible background remains trees, fence and haze throughout, with no new bright shapes appearing anywhere.

Reference mapping:
@image1 = masked character identity and wardrobe. Use the left panel for the mask, head shape and straps, and the right panel for the jacket and shirt. The reference sheet is not the starting frame.

FORMAT: 6s / 1 SHOT / A masked man standing from the chest upward inside persistent dense fog, with subtle warm reflections from an unseen fire behind the camera and pronounced handheld shake / horizontal 4:3.

SUBJECT: The masked adult man from @image1. Preserve the aged ivory hockey mask, exact ventilation-hole layout, faded red markings, dark eye openings, black straps and very pale skin.

SECONDARY SUBJECT: None.

WARDROBE MAIN SUBJECT: Preserve the ragged brown jacket and dark shirt from @image1. Show the complete head, neck, shoulders and upper chest.
WARDROBE SECONDARY SUBJECT: Not applicable.

HERO PROPS: An unseen fire behind and slightly below the camera supplies warm illumination. The fire and any burning material remain completely outside the frame.

ENVIRONMENT: A nighttime forest enveloped in an extensive bank of dense blue-gray fog. Continuous wind carries overlapping mist layers across the scene. Fresh dense layers replace those passing out of view, maintaining thick fog throughout all six seconds.

MOOD: Sustained dread as someone standing inside the fog becomes perceptible, with restless warm reflections across his otherwise shadowed mask.

MUSIC: No music, dialogue or emphasized breathing. Continuous wind, distant foliage rustling, faint clothing movement and subdued fire crackling from behind the camera.

COLOR LOGIC: Dim cool blue-gray ambient light remains steady. Weak warm amber illumination from behind the camera varies gently and irregularly across the mask and eyes. Preserve dark surroundings and a subdued jacket. Fixed camera exposure, without abrupt flashes or global brightness pumping.

STYLE: Realistic imperfect nighttime digicam footage. Soft detail, restrained fine grain, limited dynamic range and quiet shadows. The mask retains its aged, mostly matte material. No HDR, artificial sharpening, glossy rendering or beauty lighting.

LOGIC RULE: Exactly one man. He stands in the same place throughout. Only intervening fog changes his visibility. His body and mask never materialize, dissolve or become transparent. Breathing is barely perceptible, without visible chest heaving or shoulder lifting. Use only identity and wardrobe from @image1; never reproduce its panels or gray backdrop. Maintain chest-up framing. The fire remains behind the camera and never appears through the fog. The filming device never appears.

NEGATIVE PROMPT: No visible flames, burning objects, sparks or embers. No light emitted by the eyes, mirrored flame images on the mask, bright orange fog, abrupt illumination flashes or strobing. No deep inhalations, rhythmic chest expansion, body rocking, walking, approaching, full-body view, extreme facial close-up, zoom, cuts, split screen, duplicated heads, changing mask geometry, rain, stabilization or image warping. No clearing fog or unobstructed final portrait.
SHOT 1 — 0:00 to 0:06, MCU from the chest upward, approximately 50mm equivalent, pronounced irregular handheld shake without deliberate camera travel.
Frame the man from just above the crown down to the chest. Include his complete head, neck, shoulders and upper jacket, with a little space around him. Preserve normal adult proportions. His lower torso, hands and legs remain outside the frame.

An unseen fire behind and slightly below the camera casts weak, uneven warm light toward him. As portions of the mask become visible through the fog, show soft amber highlights shifting subtly in brightness across its brow, nose and cheek surfaces. Preserve the mask’s dirty, mostly matte appearance: broad soft illumination with a few restrained highlights, rather than a polished reflective surface.

Occasionally reveal tiny warm catchlights in his actual eyes behind the mask openings. These are small reflected points from the offscreen source. His eyes retain their normal dark appearance and do not emit light. The eye cavities remain deeply shadowed.

Let this warm illumination fluctuate gently and irregularly, independently of the camera shake. Avoid abrupt flashes, repeated pulses or dramatic changes in exposure. Keep the surrounding forest predominantly cool and dark. Foreground mist may catch a faint local warmth without turning the entire scene orange.

During the first second, dense foreground fog completely conceals the man. Show only dim moving mist with a faint, uneven warm tint in small illuminated areas. No recognizable mask or human silhouette is visible yet. He is physically present behind the fog from the beginning.

Between the first and fourth seconds, wind shifts overlapping fog layers sideways. Slightly less dense patches gradually allow a faint mask shape, shoulders and upper chest to become perceptible. Warm highlights become visible only where the intervening mist permits them. Do not progressively clear the scene or open a clean window around him.

He remains calmly settled in the same place. His head, chest and shoulders stay steady, with breathing too shallow to produce obvious repeated movement. No large inhalations, shoulder rises, head bobbing or deliberate gestures. The mask remains rigid.

During the final two seconds, dense moving layers continue crossing his mask, neck, shoulders and chest. Keep the character recognizable through a substantial atmospheric veil, with fine details unresolved. Warm reflections occasionally become clearer and then soften again behind passing mist.

Maintain strong handheld shake throughout: irregular vertical and sideways jolts, small abrupt changes in viewing direction, occasional slight rolls and imperfect manual corrections. Keep an underlying tremor between larger disturbances. The character and any visible surroundings shift coherently within the frame, with brief natural motion blur during stronger jolts. No zoom, forward travel or smooth stabilization.

Continuous wind moves the fog independently of the character and camera. New dense layers constantly replace those leaving the frame, so the fog bank never runs out. Any visible leaves and loose jacket edges respond subtly to the wind.

End with the man still standing inside thick moving fog, partially visible from the chest upward, with faint warm highlights continuing to play across the mask and eyes.

Create ONE completely new horizontal 4:3 BLACK-AND-WHITE low-light photograph, generated from the following text. The attached image is ONLY a reference for the masked man's normal adult proportions, outer head shape, practical ragged coat outline and clothing silhouette. Do not transfer its bright face, portrait lighting, gray background, panel layout, surface textures or exposure. There is ONE ordinary-height adult man, no duplicate views.

The scene is a shallow flooded underground concrete passage, observed secretly through a dark rectangular doorway from inside a completely unlit adjoining room. A near wall obscures roughly the left third of the frame and a little of the top. A single strong concealed light deep behind the man, toward the upper-left background, illuminates the gray mist and water while leaving ALL FRONT SURFACES OF THE MAN UNLIT. The entire figure is a nearly solid black photographic silhouette. There is no front fill, no light coming from the photographer, no light bounced back onto the mask from the walls. The shadows on the figure fall below the camera's black level: the mask is the same near-black tone as the torso. Do not expose a pale face, eye openings, eyes, mask holes, triangular markings, jacket folds or individual fabric threads. Recognize him through the overall oval masked-head outline, broad shoulders, practical ragged jacket outline, stance and machete. Only a few irregular outer edges may catch a tiny trace of backlight; no luminous outline around the entire body. This is a real person silhouetted by exposure, not an illustrated black cutout.

The full figure stands several meters beyond the doorway in ankle-deep water, at believable human scale relative to the opening. His feet are planted, his arms hang naturally, and his head is directed toward the hidden observer. One normal-sized machete hangs from his right hand slightly away from the leg, with the tip pointing downward. The weapon is a broad worn blade with a gently curved rounded tip and a short riveted handle, about 60 centimeters overall. Render it predominantly as a black outline, without crisp etched blade detail. Natural grip and physical weight, no attack or raised weapon.

Water extends into the foreground. A narrow broken streak of bright silvery reflections lies on its left side, with small irregular ripples and a faint distorted dark reflection beneath the man. The wet right wall and distant passage remain barely discernible. Dense backlit gray haze provides separation BEHIND the man, without lifting the black exposure of his front. Keep the light-source position fixed in the location. No visible foreground lamp, balloon, string, extra person or other prop.

Match an imperfect early consumer-digital-camera photograph: soft slightly smeared resolving power, slight low-light focus error, moderate natural monochrome grain, limited dynamic range, gentle highlight bloom on the water and moderate JPEG softness. Strong dark exposure and unrecovered silhouette blacks. Do not recover shadow detail. A slight accidental framing tilt and uneven composition. No HDR, local clarity, sharpening, shadow lifting, glossy render, 3D-look, studio portrait lighting, detailed costume showcase, glowing eyes, visible blood, captions, phone UI, borders, collage or split screen.

POSE: Body squarely faces the doorway, head upright and directed straight at the photographer, with a normal oval masked-head contour. The face remains entirely unreadable within the black silhouette. Both shoulders level, relaxed lowered arms, full body visible.

Reference mapping:
@image1 = starting frame, silhouette, character proportions, machete, flooded passage, doorway, background light and monochrome photographic texture.

FORMAT: 6s / 1 SHOT / A dark masked silhouette stands facing the observer in flowing shallow water while the background lamp flickers chaotically and an unsupported handheld camera shakes strongly / horizontal 4:3.

SUBJECT: The man from @image1. Preserve his near-black silhouette, normal proportions and initial standing pose. His head remains upright and directed toward the observer throughout.

SECONDARY SUBJECT: None.

WARDROBE MAIN SUBJECT: Preserve the exact mask, jacket, clothing, gloves and boots from @image1. Their front surfaces remain deeply underexposed.

WARDROBE SECONDARY SUBJECT: Not applicable.

HERO PROPS: The same lowered machete. Preserve the existing upper-left background light source without adding fixtures.

ENVIRONMENT: The same flooded underground passage, dark foreground doorway, wet masonry and backlit mist. Shallow water flows continuously toward the camera.

MOOD: Quiet menace through the man’s sustained attention, unstable observation and unpredictable electrical interruptions.

MUSIC: No music or dialogue. Water flow, faint drips, intermittent electrical buzzing and quiet room ambience. All audio sounds naturally recorded by the phone microphone, slightly muffled and without studio polish. No footsteps or emphasized breathing.

COLOR LOGIC: Strict black and white. Preserve near-black character shadows and silvery reflections. Lamp fluctuations affect its illumination while camera exposure remains fixed.

STYLE: Realistic unsteady handheld iPhone recording, retaining the source photograph’s softness, grain and limited dynamic range. Natural motion blur. No HDR, sharpening, shadow recovery or glossy rendering.

LOGIC RULE: Exactly one man and one machete. His feet remain planted in the same positions. His head stays upright, shoulders level and face directed toward the observer for the entire shot. Preserve his original stance without a deliberate gesture. The mask remains rigid and the machete stays lowered. Keep the character a near-black silhouette during every lamp fluctuation. Do not brighten his mask or reveal costume detail. The filming device never appears.

NEGATIVE PROMPT: No head tilt, head turn, nodding, chin lowering, walking, approaching, chest heaving, shoulder lifting, weapon raising, illuminated face, recovered shadow detail, rising flood, large waves, disappearing mist, electrical arcs, white flash overlays, automatic exposure pumping, zoom, tracking, cuts, stabilization or image warping.
SHOT 1 — 0:00 to 0:06, WS, approximately 35mm equivalent, strong irregular handheld smartphone shake with imperfect framing corrections.

Begin from the exact composition of @image1. Immediately establish pronounced unsupported handheld movement: continuous uneven hand tremor mixed with larger sideways and vertical jolts, slight abrupt rolls and corrections that arrive a little late. Larger disturbances shift the composition by roughly five to ten percent of the frame. Vary their strength and spacing without regular oscillation.

The near doorway edge visibly shifts against the distant man, producing natural foreground parallax. Keep the scene geometrically coherent, with brief motion blur during sharper jolts. The operator stays behind the same doorway without advancing or zooming.

The man stands facing the observer throughout all six seconds. Keep his head upright in its original orientation, with both shoulders level. He maintains his attention toward the camera without tilting, turning or lowering his head. His arms hang naturally and the machete remains pointed down. His apparent movement within the composition comes from the shaking camera, while his physical position remains unchanged. Avoid exaggerated breathing or visible expansion of the chest.

The background lamp produces approximately six to nine distinct brightness interruptions across three irregular clusters spread through the clip. Each cluster contains two or three unequal dips, separated by brief steady periods. Some dips reduce brightness moderately; others briefly take the lamp almost completely out. Vary interruption lengths from roughly a tenth to a third of a second. Do not concentrate all flickering into one event or use an evenly repeated rhythm.

The illuminated mist, wet wall highlights and silver water reflections dim and recover together with the lamp. Its position stays fixed. Do not compensate with exposure or illuminate the character’s front. His face and clothing remain near-black throughout.

Water flows continuously from the deeper passage toward the foreground. Small ripples travel through the doorway, separate around his planted boots and form restrained downstream eddies. His feet do not move. Reflections stretch, fragment and reform on the changing surface, responding simultaneously to the lamp fluctuations. Maintain the original ankle-deep water level.

Background mist drifts continuously in overlapping layers under a gentle air current. Preserve its overall density through the final frame. Loose jacket edges may respond slightly to the air while the man maintains his stance.

Continue flowing water, drifting mist, irregular lamp interruptions and strong handheld shake through the final frame.